Disgaea 5: Alliance of Vengence review

More of the same - in the best way.

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The game that rekindled my fire for strategy RPGs is back, and this time on the PlayStation 4.  It may look the same on the surface, but the deeper you go the more in depth this game goes.  The story, as in the other games of the series almost an after sight, and certainly not the main portion of the game, the game focuses on the craziness that comes out of Japan.   

The combat in this installment is again, more of the same, you have the basic set of weapons (sword, axe, staff, gun, bow, staff, fist, and monster weapons) you have your story heroes, your generic characters that you can create, monsters, and your basic SRPG tile-based turn-basted battles.  Geo panels, field effecting (positive and negative) panels are back, plaguing some levels, also creating the ability to quickly level.   

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The weakest point of this game, as with previous installments, is the sound and music.  The overworld music when you’re just walking around your base is truly atrocious, and the voice actors in this are some of the worst in the series.  Thankfully, you can change the background music (BGM) of the overworld, and I did, but the voice actors are there to stay, unless you go to the Japanese voice actors, but those are not much better.  It is something you just come to live with, but it is the weakest point of this otherwise great game. 

If you are looking for a jumping on point to Japanese RPGs, Strategy RPGs, or isgaea in general, there are worse installments than this one. Also, given how this is the first on the current generation of consoles it is a sure fit.  Currently, the previous installments are not available for the PS4, but remakes have been made for the PS Vita. 

SCORE: 4/5

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Sony @ E3

Going into the Sony Conference this year, I didn't know what to expect.  Bethesda had already brought the house down last night with the release date of one of the biggest games this year just last night, and Microsoft had surprised everyone with the announcement of backwards compatibility with the Xbox One.  So, Sony had an uphill battle.  However, with what I saw, Sony might've easily won E3 this year.

Right out of the starting gate, they bring out the big guns.  For the first announcement of their ninety minutes, they chose The Last Guardian.  A game that's been in development limbo for close to a decade, and the projected release date is...sometime in 2016!  This was simply a massive bombshell.  Everyone was hoping for information on this game from the makers of Ico and Shadow of the Colossus, two critically acclaimed games from Team Ico, but I think many people expect it to be one of the final announcements, given how long it's been since the last bit of information was gleaned about it.  The trailer didn't show much, but it showcases the interaction between the main character and his companion.  All in all, it  looked stunning, and I simply cannot wait until this game is released.

Following on the heels of that is a huge endeavour, but Sony chose Guerrilla Games to appear next.  Best known for their work with the Killzone series, Guerrilla Games announces a brand-new IP called Horizon Zero Dawn.  Not much was said about this game, but what little information we have seems to suggest that it takes place centuries after present-day civilizations have died out.  Again, the trailer doesn't explain much, but it does show off some amazing combat against..mechanical dinosaurs.  Yes, there is little explanation, but from what they've shown, the game looks spectacular and it's certainly on my list of games to watch out for.  It looked very polished, so I expect to hear much more about this one at Gamescom.

With the huge games out of the way, Sony announces a new entry in the Hitman saga.  In yet another showcase, Sony shows nothing of the story - probably for good reason, since Hitman doesn't really need story - and instead opts for showing a myriad of locales and characters, some of which will probably be targets within the game.  I'm curious to see where they go after the ending of the previous game - which appears to be chronologically before this new entry, since a character says "Good to have you back" while focused on 47's face.  For PS4 users only, a preorder nets beta access, which suggests there will be a multiplayer component, which I'm unsure about.

Sony then went on to show some Street Fighter 5 footage. After a quick set of sequences showcasing Birdie and Cammy, they mentioned that the public beta for the game will be come to the PS4 exclusively on July 23rd..

After that brief calm, they called Sean Murray to the stage, who proceeded to blow our socks off - after we had just managed to put the back on after Last Guardian! - with some new No Man's Sky footage.  After starting in a real space battle, followed by a small glimpse at the sheer size of the game universe, he jumped to a random planet closer to the galaxy center and landed.  He then announced that every planet was fully destructible.  Still, with no release date in sight, this game continues to astound.  However, he did mention that the planet he jumped to will be able to be found by players once they get the game, suggesting that he was actually playing a final build of the game, which further suggests the release date could be sooner than we all think.

Media Molecule, best known for their work on Tearaway and Little Big Planet, then announced Dreams, a pretty ambitious evolution of their previous works, in which players will be able to construct seamless 'Dreams' that can be explored endlessly.  Unfortunately, I sorta glossed out at this, since it seems directed at highly creative individuals, which I am unfortunately not.  Afterward, they announced Firewatch would be making its console debut on PS4.  It feels very survival horror, without that overt horror feel that typically comes with that territory.  I'm very curious for this one, and will probably add it to my list to buy when it comes out.

Next up, Sony trotted out their seeming partnership with Bungie with footage of the new Destiny expansion coming Septmber 15, The Taken King.  As well as adding new subclasses for the existing classes - a Void Bow Hunter, Arc Lightning Warlock, and Solar Hammer Titan - it will also pit guardians against Oryx, father of Crota, who has come inward from the outer solar system to get revenge for his son's murder.  It looks spectacular, and seems to suggest many new areas - Saturn was among what I saw, as well as possibly more Mercury.  Further, Playstation users will get more exclusive content, including a day one strike and multiplayer maps.  Given the time I've spent with this game as it is, I'll definitely be playing this one, though it has some huge expectations to fill if it intends to hold players after Fallout 4 is released.

Switching gears somewhat, we get some new footage for Assassin's Creed Syndicate, the yearly release for the franchise with so many mixed feelings about it.  We are introduced to Evie Frye, sister to Jacob Frye and the second female protagonist available in an Assassin's Creed game - the first being Aveline de Grandpré from Liberation - and the first since Ubisoft's ill-choice of words last year about it being hard to have a female protagonist.  We are shown the Cane Sword, which seems quite intuitive in use, as well as throwing knives which appear to be somewhat useful.  PS4 is also going to be getting a set of exclusive missions titled the Dreadful Crimes.  I expected this to be connected to Jack the Ripper, but apparently they're focused on Victorian-era mystery novelists.  With what is already expected this year, I'll probably hold out on this one, since I was burned very badly with Unity's gamebreaking bugs last year.

World of Final Fantasy came next.  Exclusive on PS4 and Vita (the first time all show they've even mentioned their ailing handheld system) the World of Final Fantasy almost feels like a pokemon-esque game.  You can shrink your character to a chibi and ride monsters, or return your chibi to normal size and have those monsters ride you for some reason.  While not much was really shown about this, it looks intriguing enough that I'll definitely pick it up for my Vita, since my PS4 will be getting a major workout this holiday season.

And then, Sony brought the house down.  I thought it couldn't get any bigger after the announcement of The Last Guardian, but oh was I wrong.  Because they announced the Final Fantasy 7 remake that's been teased for years.  The character models appear to use modified Advent Children models, and I also think the in-game engine is modified from Final Fantasy 15's, which combine to make this look spectacular.  No release date was given, but I will predict it will have a 2017 release date to coincide with the 20th anniversary of Final Fantasy 7.

After that, I blanked out just slightly.  they showed off a quartet of new games from Devolver Digital: Ronin, Eitr, Mother Russia Bleeds and Crossing Souls.  They looked fascinating, but what little I noticed caused me to ignore most of this segment, since none of those games seemed to interest me - instead, spots sickened me, which is not what I want my games to do.

Sony then started talking about Kickstarter.  I was confused at first, and then the trailer came on.  Shenmue 3 appears to be happening.  A game originally based on the Dreamcast, Shenmue 3 launched a kickstarter literally during the Sony conference.  As of writing, the kickstarter sits at 1.2 million dollars, 60% of the asking price of two million.  A direct sequel to the previous games, this kickstarts still has a month remaining.  I fully expect this game to get far more than than the asking funding, and with Sony behind them, we can be sure that funding this game will get this game released.

Next, Batman: Arkham Knight was showcased.  With the release date of June 23rd, we are shown one of the exclusive Scarecrow Nightmare missions.  With you controlling a cop, you suddenly get dosed with Fear Toxin and you start shooting everything.  It looks very fast paced, but I don't know what the final reward for these missions will be, so we'll have to see if the exclusivity is worth it.

The next bits step away from games for a bit, first talking about Project Morpheus and dropping a few names of games coming for the system (which we'll probably hear more about in the coming days after people get some hands-on with it on the show floor), and then about Playstation Vue, a tv programming system currently availabe in LA, San Francisco, New York, Chicago and Philedelphia.  They will be allowing subscribers to choose channels they want to pay for, which is huge - coming at a time when Verzion is pushing this exact thing with their Custom TV packages.  Further, Playstation Plus members will get an undisclosed discounted rate on subscriptions, which would just add to the already massive value of the service.

Returning to the games, which is far more interesting than Vue or Morpheus (though both are big for Sony, I'm sure) we are treated to a reveal of Call of Duty Black Ops 3.  The segment starts with a four player co-op mission, fighting a wave of mechanized shock troops, as well as hackable artillery walkers.  After that, they surprised by showing multiplayer footage, which felt very like titanfall without mechs - there was a lot of wall running to be had and seemed very fast-paced.  It looked very polished, though since I'm not a fan of the CoD installments, much of the excitement was lost on me.  They also announced that from here on, PS4 users will be the first to play all map packs for Call of Duty, and a beta for Black Ops 3 will appear on PS4 first in August.

Shifting gears to the Star Wars side of things, we have an announcement for Disney Infinity 3.0.  Coming this fall, Disney Infinity will add Star Wars characters to their already robust lineup with two new playsets set in the world.  Even better, Playstation will get an exclusive starter pack which includes the base, five figurines (Including the exclusive Boba Fett figurine!!!) and the playsets Twilight of the Republic and Rise Against the Empire playsets, all a month before any other platform.  It's all exciting stuff, but I've stayed away from games like this solely because the figurine collection aspect seems like an unnecessary money sink for me.

More Star Wars news, we are treated to some Battlefront co-op missions.  We see the Survival mission type for the first time, pitting two rebel soldiers against waves of Imperial forces, starting with stormtroopers but including AT-STs and possibly Sith warriors.  It looked very exciting and I suddenly began wondering if I wanted to get this one.  Playable Offline, split-screen or online, the lack of a campaign still makes me leery.  Star Wars Battlefront is slated for a November 17th release.

Finally, Sony treated us to some Uncharted 4 gameplay.  After a small hiccup with their systems - and what appeared to be a demo restart - we see Nate and Sully working their way through an unnamed city toward the tower of someone named Sam.  While I'm unsure if Sam is friend or foe, the duo moved through the crowd for a bit before a combat wave appeared.  It looks very fluid, and makes me highly excited for this game - as if I weren't already.  Many of the environments looked and felt completely destructible, which is huge for a game like this.  I'm curious to see how much of the world can be destroyed.  Unfortunately, after this demo, the conference ended abruptly, without so much as a word from anyone regarding it.

All in all, Sony brought their A game this year.  I was a bit disappointed about the lack of Vita coverage, but that's par for the course these days - and maybe there will be some gems hidden on the show floor for the system.  As for the games, what they showed was highly surprising, and everything seemed designed to bury the competition in the dust.  Hopefully, the games without release dates will come out soon, because those are quite possibly the best looking of the bunch.

Senran Kagura Shinovi Versus Review

Senran Kagura Shinovi Versus was released for the PS Vita on February 28, 2013 in Japan and October 14, 2014 in North America, with a European release following on October 15.

Senran Kagura is a 3D Brawler in a similar vein as the Dynasty Warriors franchise.  However, due to the limitations of the Vita system, it doesn't feature quite as much depth in terms of AI or enemy count, but it does seem to offer larger aerial capabilities.

Right after getting into the game, you are given a choice between three 'schools':  Hanzou Academy, Gessen Academy, and Hebijo Academy.  Each have their own story, and after a short Visual Novel introduction, you are free to move around.

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The above screen is what you see once the original exposition is finished.  You can either move around the room - there are also NPCs you can speak to who have different dialog depending on where you are within the story - or you can hit the right trigger and open the screen to the right, which allows quicker navigation.

I'll skip Missions for now, since those lead into the bread and butter of the game.  Dojo takes you into the multiplayer with the game.  As, at the time of review, the game is not out yet, I haven't been able to test this mode just yet, but it seems to be fairly well designed from what I've seen.  The Dressing Room allows you to alter the outfits of the heroines, using articles of clothing or accessories you have bought or obtained during missions.  The Library functions as its namesake: it holds all the unlocked pictures, videos, songs and your overall score.  Some items are given over the course of the missions, while others can be bought through the Store, which I'll cover right now.  As the name suggests, the Store is your go-to for buying clothes, accessories, and Library entries.  It also has the appropriately named Lingerie Lottery which, as you might surmise, allows you to bet money (Zeni) to get new Lingerie for your heroines.  There are 98 pieces of Lingerie to collect and each time you bet money, the chance to get a new piece decreases.  You can also presumably buy lottery tokens from the PS Store for some amount of money that is currently unknown.  These are probably ideal, since each token gives you a 100% chance to get a new item, but depending on the cost, might be exorbitant. 

Moving down to Character, this allows you to change characters - however you can do this through the Dressing Room by hitting the Left or Right Trigger, so the use of the Character menu is to allow you to examine each character's stats and combo list.  I find this selection to be fairly unnecessary, but it might get its mileage later on.  At any rate, Records allow you to save outside missions - which allow you to save after every one - as well as load a different save or delete.  Settings should be self-explanatory, since it's the same menu you are probably familiar with from any number of other games.  Finally, the selection hiding under the watermark on the right is to Change Schools.  You are allowed to change your school at any time from this screen, and I believe it resets the story - each school has its own story, and what you do in each doesn't appear to crossover between schools. 

Finally, to the meat of the game.  Missions allow you to choose between story missions or character submissions.  Story missions progress the main story and demonstrate the relations between the different schools you can choose from.  Character submissions follow a specific character and help flesh out her backstory.  They appear to consist of five missions, in which you fight against a group of cannon fodder, and a boss.  Sometimes there are waves you have to complete, other times you are pitted against the boss from the outset. 

One of Hibari's Submissions

One of Hibari's Submissions

Once inside one of the missions, which all seem to function basically the same, the brawling portion of the game begins.  As previously mentioned, you fight a group of enemies plus a boss.  The controls are very similar to Dynasty Warriors, with the Square Button being your standard weak attack, Triangle being your strong attack (and combo ender), Circle allowing a dodge move and Cross being your jump.  There is also your Shinobi Transformation button, typically assigned to the Left Trigger, which acts as both a strategic move and a game changer.  When used, the Transformation restores your health to full, while also modifying your attacks.  In addition, your attack and defense go up, which helps tremendously if you're fighting a particularly challenging boss.

Boss using Transformation

Boss using Transformation

However, bosses also have access to this Transformation, and will typically use it when they are down around twenty to thirty percent health.   This provides them the same benefits afforded to you, so be warned.  Also, as astute readers might notice form the image to the right, there is another system in play.  The more damage you take, the more damage your clothes take.  I haven't yet figured out the point behind this system entirely, but I have noticed that if you use one of your Shinobi Arts on the boss - you refill this bar through combat, and at certain intervals gain more - while they are in this state of...undress, it destroys a piece of their lingerie according to which form of Art is used.  As I mentioned, it's a fairly interesting and seemingly unnecessary system, but maybe it has a use later on that I have not encountered as of yet.

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Completing the mission takes you to the level up screen.   Based on the stats on your mission complete screen before this, you gain more levels.  Mastery refers to the power within each 'stance' available to each heroine: Flash refers to your pre-Transformation power; Yang refers to your post-Transformation power; and Yin refers to your power within 'Frantic Mode', an activated mode in which your clothes are completely stripped, but your attack skyrockets, making you a literal glass cannon.  You can very easily be destroyed in Frantic Mode, but it allows you to chain your weak attack indefinitely, which would allow you to juggle the boss indefinitely as long as you're careful of your surroundings.

Last thing I want to cover slightly is the animation.  Considering you're dealing with dozens of enemies on the screen and many of them are probably being hit by attacks, the animation is quite fluid.  In fact, in the missions I have completed, I have experienced little to no slowdown - I say little, since if there was any slowdown I did not notice anything.

Verdict: Senran Kagura Shinovi Versus is a fairly odd game.  On the surface, it's very 'fanservicey' (a term used in anime and manga to denote elements added simply to please its fans) with its additions of the lingerie and stripping mechanics.  When you delve deeper, however, the systems in place show an understanding of brawling games in a similar vein to Dynasty Warriors.  All in all, it's a strange combination, but I think they did a great job.  The story seems to be a typical anime story, but the gameplay is engaging enough to make me want to keep playing.  Further, the grading system inherent in mission completion gives you a way to aim for a high score in any given mission.  I will continue playing this game in weeks to come, and I would recommend it to anyone with a Vita.

Warriors Orochi 3 Ultimate Review

Sorry for the length between reviews; Destiny stole my soul for the month of September - a review is forthcoming for that as well - but I managed to wrest control of my soul from the maw of Destiny and make a triumphant return.

Anyway, Warriors Orochi 3 Ultimate was originally released on the PS3 and Vita on September 26, 2013, with the PS4 version released on September 2, 2014.  This review comes based on the PS4 version of the game.

A bit of backstory on this series.  The Warriors Orochi series is a cross-over of the Dynasty Warriors and the Samurai Warriors franchises.  As such, it features popular characters of both, as well as very similar gameplay elements.  Not having played the WO series prior, I wasn't too familiar with the storyline of the series, but they give you a short introduction before the first mission to bring even veterans of the series up to speed.  However, despite my lack of background with WO, I knew about what I was getting into when entering this game due to my history with the Dynasty Warriors property.

If you've played any entry into any of the three properties involved here - DW, SW or WO - then you're familiar with the gameplay.  You play a main general whose sole job is to cut swathes of enemies apart.  The PS4 entry is especially sweet, due to the sheer processing power of the system, bringing untold hundreds of AI enemies onto your screen at any time.  Also, WO uses the weapon system from previous games in a unique way: Instead of switching weapons, you switch between generals, each with their own moveset and flair.  This allows you to keep combos moving nearly indefinitely, only failing to continue when you run out of fodder to destroy. 

The story for WO3 follows years after the events of WO2, in which the titular Orochi is finally killed.  The opening mission in WO3 is based on the Hydra, a megabeast destroying its way through the warriors in the world.  You are a leader in a coalition army that attacks the Hydra's base of operations, and your job is to kill it.  Unfortunately, it further massacres your army, and you are forced to flee.  When all seems lost, the remnants of the army are rescued by the goddess Kaguya, who uses her powers to allow the heroes to travel back in time and save their comrades from their deaths.

Your Camp

The above screenshot shows the camp, your base of operation during Story Mode.  Here, you can chat with the other officers you have access to, and you can also use the Blacksmith you can see in that picture to upgrade your weapons and buy more to further upgrade them.  Adding in Sockets and Attributes to fill those sockets, the relatively simple system becomes somewhat more complicated.  There may be special weapons and attributes, but I have yet to encounter any just yet.

After leaving the camp, you are able to choose your mission and are taken to a very familiar screen for veterans of the series.  Here, you can change weapons and accessories on your characters, take a look at each army's members, and accept side missions that are are to be completed during the mission.  It also shows a map of the battlefield and you are free to begin planning your route of attack, if you so choose.

Finally, hitting Begin Battle takes you to the actual battlefield.  Again, for veterans of the series, this comes as nothing new.  The map from the Preparation Screen appears again - and is very helpful in thwarting the opposing army's movements, since it shows every move made by any member of any army and will end up being one of your main weapons against the enemy.

The battlefields each have their own win conditions, but I've always been partial to the 'kill all of the things' condition which, while it may take a while, is not only satisfying but also ensures optimum experience gain for the team you took into the mission.  It's rare, but enemy commanders can drop an item that puts you in a state called "EXP Fever" in which every enemy killed drops an EXP satchel, which vastly increases speed of leveling and becoming stronger.

Verdict: If you are a fan of the Dynasty Warriors franchise, Warriors Orochi 3 is a very solid entry to the genre.  It's quite satisfying to rack up thousands of kills in the span of a battle, and the harder difficulties are challenging enough to make even the highest level characters sweat in the course of each battle.

Akiba's Trip Review

Akiba's Trip: Undead and Undressed was published by Acquire and released in Japan on November 7th 2013 for PS3 and PS Vita, and July 3rd, 2014 for PS4.  XSEED Games localized it for North America, which released August 12th, 2014 for PS3 and PS Vita, with a PS4 release coming November 4th, 2014.  The review was on the PS Vita.

I was very surprised when I heard this game was getting a NA localization, since the premise is quite...obscure for many American gamers.  The main character is Nanashi, a high school age boy living in the Akihabara district of Tokyo, Japan.  The story begins with Nanashi learning that he was transformed into a Synthister, a vampire-like creature that feeds off the life energy of humans living within Akihabara.  Not long after, another main character appears, a young girl by the name of Shizuku Tokikaze.  A short tutorial battle ensues, after which there is more exposition, before finally opening the exploration portion.

The story revolves around the Synthisters and why they're feeding within Akihabara, as well as a lot of backstory on Shizuku.  The main story is set in stone, however there are five 'routes' within it; these routes revolve around the affection level of five of the main female protagonists, and show different angles of the same general struggle.

The gameplay is fairly addictive.  Outside of the visual novel portions, you have two additional angles: Exploration and Combat.  Exploration sets you in a near perfect representation of the Akihabara district.  Those familiar with Akiba (A diminutive of Akihabara) will delight in seeing some of their favorite locales within the game.  For those not, it serves as a nice intro to the district, should one decide to travel there.  Additionally, you can receive flyers in-game for real stores and cafés within Akiba, with a trophy for those who collect all of those flyers.

Combat within the game is deceptively simple.  On the surface, it's quite basic: hitting Triangle targets the enemy's head, Circle hits their chest, and Cross their legs.  The goal of this is to strip your opponents - being vampiric, Synthisters melt in the sun (though covered later in the story, and not relevant to events, by melting they turn back into normal humans instead of completely dying).  Conversely, you also have to be mindful to not be stripped yourself, else you hit a game over screen - though the game allows you to redo any combat quest following, so long as you choose to continue.  It's quite simple, until you factor in blocking and strip chains, and unblockable attacks, etc.  For the unwary, it's entirely possible to be completely overwhelmed by your opponents on higher difficulties, but once you understand the nuances of combat, the game evens out in difficulty.

To add a level of depth, you can change your clothes and weapons to numerous different varieties.  You can collect them from the NPCs that spawn in each zone - though you have to level up your Strip Skill for that clothing style.  Without a maxed Skill, the clothing has a high chance to 'rip', rendering it useless to everyone and disappearing to the nether.  Once it maxes, you can gather all the clothing to your heart's content.

Finally, there are two parts that pad the length of gameplay: Side Quests and the Battle Arena.  The Arena is quite simple.  Each level - F, D, E, B, A, and S, in order from lowest to highest rank - pits you against three groups of opponents, the goal being the same as any combat within the game: to strip the opponent.  Early levels are populated with groups you can find wandering the streets naturally, while the final levels have unique gear that can only be found in the battle arena.  Sadly, there is no way to repeat a set without restarting the game (I'll cover that slightly later), so be careful if you go in with less than max Strip Skills and want the unique clothing.

Side Quests function like any other game that has side quests; you accept the quest, and then complete it to the satisfaction of the giver.  The side quests can be failed if you don't complete them in a timely fashion - usually within two or three story missions - so it's a good idea to complete them as soon as you accept them.  They range from combat (There's an annoying man who runs around making train noises all day) to search quests (A maid cafe is opening and you're looking for new maids to work there).  They all give money, so it's a good way to gain cash early on.

Last thing to cover are gripes.  The game is fun, but unfortunately comes with some downsides.  The combat sometimes causes the frame rate to suffer, and the hit detection sometimes misses the mark entirely.  Once you figure out the timing, it doesn't affect the combat too much, but it is slightly annoying that one even has to learn how to move around the stuttering frame rate.  Additionally, the game sometimes chooses to not load important quest targets - not a problem for Main Quests, which load when you enter the requisite area, but having to search an area for minutes at a time for a quest target that's standing in a corner that you checked right before is troublesome.  A simple increase of loading precedence of these targets would solve this issue, but until then it's definitely an issue.  Finally, the lack of a targeting system is my main gripe.  During combat, not being able to target an enemy right next to you - instead preferring a target on the other side of the battlefield - was the cause of multiple game over screens for me.  I would've liked a simple targeting system to make it much easier to complete quests.

Verdict: If you're in the market for an off-the-wall JRPG that may or may not be appropriate for others to watch you play, buy this.  The few gripes I have are minor to the fun I had playing this.  Also, being able to choose to play the game entirely in Japanese - in the English port - gives it a big boost for those who are learning the language.  Very few English releases of JRPGs like this allow you to change the written language into Japanese, so being able to do it sets it above the rest I've found so far.